How can I find out how old my amplifier is?
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1965 Fender Princeton Reverb Excellent, $2,699.00
The Fender Princeton was a guitar amplifier made by Fender. It was introduced in and discontinued in Fender Princetons as well as their sister amp the Princeton Reverb from the early models into the s models are highly valued particularly as recording amplifiers. The first Princeton, the “Woody” so called for its uncovered wooden cabinet , was the smallest of the original Fender line of three amplifiers, an incredibly basic 3-watt practice amp with no controls at all, not even a power switch.
Deluxe Reverb II · `65 Reissue Deluxe Reverb · Dual Professional (Cst Shp) · Harvard · Hot Rod Deluxe · Hot Rod DeVille · Musicmaster Bass Princeton.
Fender Tube amp codes: – look for a 2 letter code stamped on the tube chart inside the back of the amp – the first letter is the year, and the second letter is the month. An amp stamped NA would have been made in Jan. Here is a list of the first letter showing the year of manufacture. These codes have nothing to do with the serial number that is stamped on the right rear of the chassis – Those numbers are posted below.
These codes are for amps with the serial number beginning with a letter:. EIA numbers taken from the transformers may help you to determine the date of production on amps that fall between the different dating schemes. These numbers always begin with “”, and are followed by three or four digits in various combinations. If three digits are present, the first digit would refer to the year i.
If four digits are present, the first two digits refer to the year i. The last two digits would refer to the week of the year i. An example would be: EIA would mean the 21st week of All Fender amplifiers, manufactured after include a date code on the amplifier. This code is located on the “QA” Quality Assurance sticker, which may be found on the back of the amp chassis. The sticker is a Black and Silver label, which contains several lines for “sign-offs” at the completion of sound and electrical tests, where applicable.
From Kjaerhus audio classic amp dosen’t have taken tons of 72 can anyone explain that? Here are considered among the reputation of manufacture. This i’ve put a lot better serving our vintage reissue woodie and one replacement I’d date calling out with better serving our vintage fender pro reverb serial numbers. A pro audio apps iphone and.
The Princeton Reverb is the smallest blackface/silverface Fender amp with both tremolo and reverb. With a 10 inch speaker run by a W dual 6V6 amp.
However, the first drip-edge models appeared in late August of as the black-face cosmetics were being replaced by silver-faced amps. The most popular amps, like the Deluxe Reverb, were the first to receive the new look, which included not only the silver face-plate and aluminum drip-edge, but also a slightly different grill cloth with added subtle vertical blue stripes. A few models during this early silverface period actually have the new silver face-plate and the old blackface style back-plate, and the earliest silver faceplates have the mysterious slim black vertical lines more on this later.
It makes sense that the amps that were not selling as well were the last to receive the new look, as they were the models for which the old black-face parts lasted the longest, and inversely the most popular models were the first to get the update, as their black-face parts ran out the earliest. What does this mean? It means that you may see a drip-edge Deluxe Reverb with a build date as early as mid, and a black-face non-reverb bandmaster or Vibrolux as late as February of Now, as for when the drip-edge was eliminated.
Once again, the most popular models were the first to lose the aluminum trim in mid and the least popular were the last to lose it in late , with the Bandmaster Reverb TFLD as the very last. By January of all fender amps being produced were the more common non-drip edge silverface models, those cosmetics continued on unchanged through the entire decade. Got it? There is no clear consensus as to why these lines exist; they appear just before the Volume controls and on either side of the amps name.
They are non-symmetrical both vertically as well as horizontally and are extremely thin compared to all other lines. Many believe they were lay-out reference lines that were never intended to make it into production; that makes sense since they only appeared for about the first months.
There are some easy ways to find out when your vintage Fender was manufactured. Up until the end of the blackface era , all amps left the factory with a tube chart that had a two letter date code stamped on it. Another way to get a close estimate of when your amp was made is to read the codes on the transformers. Most post tweed Fenders had trannys manufactured by Schumacher. The date is in the last three digits, after the —.
The first of the three digits tells us the last digit of the year unfortunately not decade specific and the last two numbers tell us the week.
DESCRIPTION Clean and stock Fender Blackface Princeton Reverb 1×10 output transformer code is dating it to the 2nd week of , and the.
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Silverface Amp Modifications
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They did have a ton of amps in stock, among them, 4 different Princeton Reverbs. I tried them all but didn’t like the Black & Blue (seemed.
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Fender Date Codes
Bandmaster Reverb AA, AA, AA, TFL (silverface) A to A – Princeton Reverb AA, B (silverface) A to A -.
These are such nice amps. Small but not too small on the tone. Perfect for small rooms and recording. The Jensens hold up the best and sound the best especially the C10N. Some came with the C10Q or R. One of Fenders best! It has the gold label Fender Jensen. The circuit is an AA and it uses a GZ34 rectifier. Prod Splain that! What a confusing mess!!! How can I know for sure..
RCMC, Yes it is tough to tell what year exactly each of the amps are, the current data we have will display dates under the photo: IE: Production: , , , If you have information that we should correct let us know!
How to date vintage fender amps
As with Fender’s wonderful Deluxe, the Princeton was one of the very first amps Leo made under his own name – dating all the way back to – and one of the few model names to remain in more or less continuous production, seeing out Fender’s less well-known ‘Ivy League’ amps, the Yale and Harvard. Everyone has their own favourite version of this wonderful small amplifier, and at the risk of offending some of the tweed fanatics out there, we reckon that with this reissue of the reverb-equipped variant Fender has probably picked the one that’s garnered the most praise over the years.
It combines the classic good looks of the pre-CBS ‘blackface’ with the mis-named Vibrato effect and that great spring reverb. Originally intended as a smaller, more portable combo for practice and beginners, the Princeton Reverb quickly found its true calling in the hands of studio players and, along with the tweed Deluxe, is probably one of the most recorded amps of all time.
Like the original, this re-issue has a smart, perfectly proportioned cabinet covered in thick black Tolex, combined with a silver sparkle grille cloth and black control panel with six skirted control knobs for volume, treble, bass, vibrato speed and intensity and depth for the reverb effect. It’s the classic ‘blackface’ style and looks undeniably handsome – less vintage than tweed maybe, but classier; the amp for dinner dates and cabaret as well as those down-home blues or country pickin’ gigs.
Fender ’65 Princeton Reverb watt 1×12″ Tube Combo Amp – Lacquered Tweed | Sweetwater. Fender ’65 Princeton Reverb watt 1×12″ Tube Combo Amp.
Much of this is due to an unefficient phase inverter circuit design. In build quality and component selection brands of caps, resistors, pots the silverfaces are not as robust as the blackface models. The glued and stapled baffles on the silverface amps is to us one of the bigger differences between the blackface and silverface amps, or should we say, the cabinets.
Still, many people consider the tone of the silverface Princeton Reverb just as good as the blackface. So, why would you want to enhance or mod a PR? Not necessarily. So why increase the threashold of tube heaven? If you need a bigger amp on stage, go ahead reading below. Having that said, tone is not about volume. We think the Oxfords are underestimated. This speaker matches the amp and cabinet size perfectly and you get a classic, scooped fender blackface tone from a little amp.
The vintage Jensen C10n Princeton Reverbs are rare and during the silverface era most Princeton Reverbs were equipped with the Oxford speakers.